Exploring the book of Revelation as a love letter to the church, this work addresses common misconceptions and fears surrounding its messages. It draws parallels between the challenges faced by early Jews in Jesus' time and contemporary misunderstandings of Revelation, aiming to clarify its true intent and encourage readers to embrace its teachings.
Jim Richards Libri
Jim Richards sviluppò in gioventù una passione per l'oro e i diamanti, che lo portò a importanti scoperte minerarie a livello globale. Dopo il servizio militare e gli studi di geologia, emerse come un dirigente di spicco nel settore. I suoi contributi includono l'identificazione di importanti giacimenti che hanno avuto un profondo impatto economico. Attualmente, ricopre la carica di presidente esecutivo di una società mineraria australiana quotata in borsa.





Constitutes the author's argument for and appreciation of the virtues of the built environment and the architectural aesthetic of suburbia.
Gold Rush
- 364pagine
- 13 ore di lettura
Gold Rush is a blood-and-guts treasure hunt - the ultimate adventure story.
Who Do You Think You Are?: James: living faith and serving God
- 200pagine
- 7 ore di lettura
Exploring the profound questions of identity and faith, the book delves into how our beliefs about Jesus shape our understanding of ourselves. With an engaging and humorous narrative, James Richards reflects on God's unconditional love and its transformative power. He emphasizes serving God free from the burden of strict rules, making faith accessible even in challenging times. Richards, an Animal Science graduate, shares insights from his life in Northern California, where he enjoys gardening and family activities, enriching the personal touch of his writing.
High Street
- 100pagine
- 4 ore di lettura
First published in 1938, this classic book introduces the British high street, pairing the timeless illustrations of Eric Ravilious with an engaging text by architectural historian J.M. Richards. This beautiful facsimile edition features Ravilious's illustrations in exquisite colour and includes an essay by V&A; curator Gill Saunders.