Literary Nonfiction. Biography and Memoir. PART 10 is the final installment of the Grand Piano "experiment." This volume draws some of its themes from experimental music, current Amercian politics, newspaper headlines, and an array of influnces (Kathy Acker, Lorenzo Thomas, Laura (Riding) Jackson, Robert Grenier, Larry Eigner, Clark Coolidge). At the same time, almost all the pieces of the ending volume make some kind of return to the complicated impulses that initally launched the autobiography, resistance to autobiography, writing, language-as-such, memory, time, and especially the rich historical meeting point of these ten authors in the Bay Area literary scene(s) of the 1970s.
Ron Silliman Ordine dei libri (cronologico)
Ron Silliman è una figura significativa nella poesia americana contemporanea, celebrato per le sue opere ambiziose ed espansive che spingono i confini della forma e del linguaggio. È noto per il suo stile profondamente osservativo, che crea meticolosamente poesie che affrontano le complessità della coscienza e la trama della vita quotidiana. L'approccio di Silliman spesso sfida le strutture poetiche tradizionali, preferendo invece un metodo fluido e associativo che riflette la natura intricata del pensiero e dell'esperienza. La sua dedizione alla pratica sperimentale lo ha affermato come una voce vitale e influente nella letteratura moderna.
The Grand Piano Part 8
- 208pagine
- 8 ore di lettura
Literary Nonfiction. Biography and Memoir. Part Eight in the ongoing series of collective autobiography, THE GRAND PART 8 continues to mark the events, movements and intersections among ten contributing 1970s Language poets. "THE GRAND PIANO is itself a veering off and an investigation and a playing or experimenting with the materials of language, history, textuality, and temporality, the personal and political, poetry and community....There is an abundance to linger over in THE GRAND PIANO even as and perhaps because of the large gaps and contradictions"--Robin Tremblay-McGaw.
Under Albany
- 112pagine
- 4 ore di lettura
The book offers a deep exploration of the connections between context and meaning through autobiographical meditations linked to Ron Silliman's poem Albany. It serves as a constructivist memoir that delves into the relationship between subtext and presented experiences, revealing how backstory informs composition and poetics. Silliman's work is characterized by an intricate interplay of attention, recollection, and reflection, creating a rich tapestry that enhances the understanding of his earlier poetic efforts.