Stephanie D'Alessandro Ordine dei libri (cronologico)

This groundbreaking work offers a fresh perspective on Surrealism, examining its global influence from the 1920s to the late 1970s across diverse regions including Colombia, Czechoslovakia, Egypt, Japan, Mexico, the Philippines, Romania, Syria, Thailand, and Turkey. It presents a more inclusive understanding of the movement's international character and lasting significance. Featuring over 300 vibrant illustrations from both renowned artists like Dalí, Ernst, Kahlo, Magritte, and Miró, as well as numerous underrepresented figures, the book expands the narrative of Surrealism beyond its Parisian roots. It provocatively redefines the movement's map by exploring how its visual languages, ideals, and practices were adapted in various contexts. Contributions from over 40 distinguished scholars delve into themes such as the transmission of ideas, artists' responses to political oppression and social unrest, and experiences of displacement and exile throughout the twentieth century. This comprehensive catalog is a testament to the movement's revolutionary impact and its enduring legacy in the art world. Published by The Metropolitan Museum of Art and distributed by Yale University Press, it coincides with exhibitions at The Metropolitan Museum of Art in New York and Tate Modern in London.

The Art Institute of Chicago's opportunity to host the International Exhibition of Modern Art, better known as the Armory Show, in 1913 set a radical new course for modern art in the US. This title brings together over 130 masterpieces from the Art Institute, which holds one of the finest collections of European modern art in North America.

This visually rich catalogue showcases nearly 100 of the greatest modern European paintings and sculptures from the Art Institute of Chicago, including works by the most iconic artists of the early 20th century—Pablo Picasso, Henri Matisse, Salvador Dalí, Joan Miró, Piet Mondrian, and many more. Written by Stephanie D’Alessandro, the Art Institute’s Gary C. and Frances Comer Curator of Modern Art, the catalogue describes the variety of groundbreaking directions art took in this period. Essays and commentaries detail the extraordinary history of collecting and exhibiting modern art at the Art Institute of Chicago, starting with the Armory Show 100 years ago. 132 pages; 100+ color illustrations and historic photos

Published in conjunction with a major exhibition organized by The Museum of Modern Art, New York, in collaboration with The Menil Collection, Houston, and The Art Institute of Chicago, "Magritte: The Mystery of the Ordinary, 1926-1938" focuses on the breakthrough Surrealist years of Rene Magritte, creator of some of the twentieth century's most extraordinary images. Bringing together nearly 80 paintings, collages and objects with a selection of photographs, periodicals and early commercial work, it offers fresh insight into Magritte's identity as a modern artist and one of Surrealism's greatest painters. Beginning in 1926, when Magritte first aimed to create paintings that would, in his words, "challenge the real world," and concluding in 1938--a historically and biographically significant moment just before the outbreak of World War II--the publication traces central strategies and themes from this seminal period, particularly those of displacement, isolation, transformation, metamorphosis, the "misnaming" of objects and the representation of visions seen in half-waking states. The publication also includes an illustrated chronology outlining significant moments in the artist's life during this period, including travel, connections with other Surrealist artists and writers, contributions to journals and important exhibitions and reviews.