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Neil O'Neil

    Frames: Life after death
    Chocolate Potato: A raunchy, dark, British modern farce
    • A tale of intrigue, betrayal, murder, complicity, romance and (surprisingly), comedy. A tale of a mad wife taking revenge on her husband, a mad husband seeking revenge on the hacker that ruined his life and a cheating best friend on the lam that has a habit of flirting with the neighbours, all while serving as the comedic relief! The farce that is 'Chocolate Potato' tells about a young couple trying to conceive a child. One day Sally borrows her husbands laptop and while using the email system, notices a suspicious email.The email comes from a woman claiming to have had sex with him and offering to do so a second time. Enraged, she breaks everything in sight and ends the relationship on the spot. Unbeknownst to her, this email was sent, not by a female lover, but by a hacker; the email was just a piece of unfortunate spam that ended up being read by the worst possible person at the worst possible time.

      Chocolate Potato: A raunchy, dark, British modern farce
    • Frames: Life after death

      • 92pagine
      • 4 ore di lettura

      Welcome to the world of FRAMES technology, the brainchild of creative genius Ethan Eberhart, who invented the concept of a FRAME so that the world’s great minds, like his own, are no longer lost with death.Wealthy AI developer, Marcus Grealish, is tragically killed in a car crash, but miraculously returns home to his wife, Helen, 3 months later. He no longer looks , sounds, nor smells like Marcus. It’s as if he’s inhabiting a cosmetically modeled robot, and in a way … he is. Whereas a robot runs on AI, Marcus now runs on his HI (Human Intelligence – his own intelligence, memories and mind) but all as a FRAME.Marcus is the first ‘person’ to walk into society as a FRAME – a life-size fully functional human prosthetic that does not require air, food or water, operated entirely from his brain, which is being kept alive in a classified hi-tech bunker, known as ‘The Facility’.

      Frames: Life after death