Jennifer Clement Ordine dei libri (cronologico)

Eine Frau streift durch Manhattan. Mit jedem Schritt weiter weg von einem Zuhause, in dem die Liebe blass, der Ehemann sprachlos geworden ist, trotz der langen schönen Zeit. Auf ihren Streifzügen entlang der Brownstones und den emporragenden Feuertreppen begegnen ihr Männer, wie aus der Phantasie entstiegen: der Dichter, der Astronaut, der Räuber, der Löwenbändiger … In diesen Momenten findet sie etwas, das sie für immer verloren glaubte. Lebendigkeit, Sinnlichkeit, Mut, die Spuren unmissverständlicher Gegenwart. Was muss sie tun, damit diese Gefühle nie wieder fliehen? Damit sie nicht verloren geht, wie die Menschen um sie herum, wie der Charakter dieser Stadt, die vom ganzen Geld der Welt für sie so still geworden ist, wie der Ehemann, der jeden Abend fragt: „Wo bist du gewesen?“ Jennifer Clement hat eine Sehnsuchtshymne geschrieben. Mit Auf der Zunge beschwört sie das Aufbäumen einer Frau gegen den Verlust der Träume und der Leidenschaft. In sanft-lyrischen, in brutal-ehrlichen Bildern erschafft sie ein Denkmal für einen geliebten Ort, eine geliebte Zeit im Leben.

Gun Love is a hypnotic story of family, community and violence. Told from the perspective of a sharp-eyed teenager, it exposes America's love affair with firearms and its painful consequences. 'My mother called anyone or anything that seemed alone, or ended up in the wrong place, a stray. There were stray people, stray dogs, stray bullets, and stray butterflies.' Fourteen-year-old Pearl France lives in the front seat of a broken down car and her mother Margot lives in the back. Together they survive on a diet of powdered milk and bug spray, love songs and stolen cigarettes. Life on the edge of a Florida trailer park is strange enough, but when Pastor Rex's 'Guns for God' programme brings Eli Redmond to town Pearl's world is upended. Eli pays regular visits to Margot in the back seat, forcing Pearl to find a world beyond the car. Margot is given a gift by Eli, a gun of her own, just like he's given her flowers. It sits under the driver's seat, a dark presence...

MADONNA. ANDY WARHOL. KEITH HARING. FAB 5 FREDDIE. DEBBIE HARRY. JULIAN SCHNABEL. Jean-Michel Basquiat's transition from the subways to the chic gallery spaces of Manhattan brought the artist into the company of many of New York's established and aspiring stars. Unable to deal with the demands that his new fame brought, in 1987, at the age of twenty-seven Basquiat, the most successful black visual artist in history, died from a heroin overdose.Widow Basquiat is an exploration of the artist as seen through the eyes of his muse, Suzanne. It is a love story like no other.

'Now we make you ugly,' my mother said. 'The best thing you can be in Mexico is an ugly girl.' The Narcos only had to hear there was a pretty girl around and they’d sweep onto our lands in black SUVs and carry the girl off. Not one of the stolen girls had ever come back, except for Paula. She came back a year after she’d been kidnapped. She held a baby bottle in one hand. She wore seven earrings that climbed the cupped edge of her left ear in a line of blue, yellow and green studs and a tattoo that snaked around her wrist. 'Did you see that? Did you see Paula’s tattoo? my mother said. You know what that means, right? Jesus, Mary’s son and Son of God, and the angels in heaven protect us all.' At the time, I didn’t know what that meant. But I was going to find out. Guaranteed.

"With a simplicity that belies both Basquiat's work and life, Jennifer Clement delivers a tender and poetic exploration of the artist and more specifically, the relationship with his muse, Suzanne. Their union follows a path set by other singular couples in the history of art, such as Frida Kahlo and Diego Rivera, and Lee Krasner and Jackson Pollock. The result is a distressing, yet deeply moving account of a love that strove to flourish under intense outside pressures."--BOOK JACKET.