Amy Tan Libri

Encompassing two generations and a rich blend of Chinese and American history, the story of four struggling, strong women also reveals their daughters' memories and feelings

"THE WISEST AND MOST CAPTIVATING NOVEL TAN HAS WRITTEN."--The Boston Sunday Globe "TRULY MAGICAL . . . UNFORGETTABLE . . . The first-person narrator is Olivia Laguni, and her unrelenting nemesis from childhood on is her half-sister, Kwan Li. . . . It is Kwan's haunting predictions, her implementation of the secret senses, and her linking of the present with the past that cause this novel to shimmer with meaning--and to leave it in the readers mind when the book has long been finished." --The San Diego Tribune "HER MOST POLISHED WORK . . . Tan is a wonderful storyteller, and the story's many strands--Olivia's childhood, her courtship and marriage, Kwan's ghost stories and village tales--propel the work to its climactic but bittersweet end." --USA Today "TAN HAS ONCE MORE PRODUCED A NOVEL WONDERFULLY LIKE A HOLOGRAM: turn it this way and find Chinese-Americans shopping and arguing in San Francisco; turn it that way and the Chinese of Changmian village in 1864 are fleeing into the hills to hide from the rampaging Manchus. . . . THE HUNDRED SECRET SENSES doesn't simply return to a world but burrows more deeply into it, following new trails to fresh revelations. --Newsweek

"Before you go out into the world," Ming Miao told her five kittens, "you must know the true story of your ancestors...."And so begins the story of Sagwa of China, a mischievous, pearl white kitten. Sagwa lived in the House of the Foolish Magistrate, a greedy man who made up rules that helped only himself. One day, Sagwa fell into an inkwell and accidentally changed one of the Foolish Magistrate's rules. Little did Sagwa know she would alter the fate—and the appearance—of Chinese cats forever!

Grade 8.

This story takes readers back to Shanghai in the 1920s, through World War II, and the harrowing events that lead to Winnie's arrival in America in 1949.

"In 2016, author Amy Tan grew overwhelmed by the state of the world: Hatred and misinformation became a daily presence on social media, and the country felt more divisive than ever. In search of peace, Tan turned toward the natural world just beyond her window and, specifically, the birds flocking to the feeders in her yard. But what began as an attempt to find solace turned into something far greater--an opportunity to savor quiet moments during a volatile time, connect to nature in a meaningful way, and imagine the intricate lives of the birds she admired. Tracking the natural beauty that surrounds us, The Backyard Bird Chronicles maps the passage of time--from before the pandemic to the days of quarantine--through daily entries, thoughtful questions, and beautiful original sketches. With boundless charm and wit, Amy Tan charts her foray into birding and the natural wonders of the world"-- Provided by publisher

Stunning reissue of an international bestseller, from the author of The Joy Luck Club' and The Bonesetter's Daughter'.

"Hakawati. Il cantore di storie" di Rabih Alameddine è un caso letterario: sia perché l'autore, giordano, di origine libanese apre una finestra su un mondo problematico; sia perché, mantenendo un alto livello di qualità letteraria, Alameddine, al suo terzo romanzo, riesce a mettere a confronto l'arte dello storytelling di tradizione araba con la cultura americana che il protagonista e l'autore hanno assorbito per molti anni. Nel romanzo, il protagonista, Osama al-Kharrat, lascia nel 2003 gli Stati Uniti, dove vive da tempo, per recarsi al capezzale del padre a Beirut. E se scopre la sua città natale irrimediabilmente cambiata, trova invece intatti gli affetti famigliari e il modo di comunicarli attraverso le storie. Cantastorie di professione era infatti il nonno di Osama, e le avventure del suo arrivo in Libano dalla Turchia si mescolano a quelle dei principi delle Crociate come pure ai pettegolezzi della vita di tutti i giorni.

The fascination with mother-daughter relationships that captivated readers in Tan’s debut novel continues in her latest, an even more polished and provocative work. Compulsively readable and beautifully structured around three metaphorical themes—bones, ghosts, and ink—this novel explores the lives of three generations of women. It begins in a small Chinese village at the turn of the twentieth century, where a skilled bonesetter defies tradition to teach his daughter. Intelligent and willful, she rejects the marriage proposal of a vulgar coffinmaker, triggering a tragic sequence of events that reverberates a century later in San Francisco. Here, a Chinese American woman reads her mother’s memoir. Although Ruth is a ghostwriter for self-help books, her advice hasn’t fostered genuine intimacy with her boyfriend or helped her cope with her argumentative mother, Luling, who is haunted by the ghost of Precious Auntie. Widowed since Ruth was a toddler, Luling, a calligraphy artist from China, struggles with Alzheimer’s. As Ruth returns home to care for her, she confronts painful childhood memories and uncovers the truth about Precious Auntie, the bonesetter’s daughter, who is her grandmother. Through the stories of these three strong women, Tan weaves vivid Chinese history, explores familial bonds, and celebrates the preservation of family history as an act of love and a path to forgiveness.

An unbearably moving, intensely passionate, deeply personal account of life as seen through the eyes of one of America’s best-loved novelists.‘When I began writing this history, I let go of my doubts. I trusted the ghosts of my imagination. They showed me the hundred secret senses. And what I wrote is what I discovered about the endurance of love.’So writes Amy Tan at the beginning of this remarkably candid insight into her life. Tan takes us on a journey from her childhood, as a sensitive but intelligent young Chinese-American, ashamed of her parents’ Chinese ways, to the present day and her position as one of the world's best-loved novelists.She describes the daily difficulties of being at once American and Chinese and yet feeling at times like she was truly neither. Most significantly, and heartbreakingly, she tells the history of her the grandmother who committed suicide as the only means of defiance open to her against a husband who ignored her wishes; her remarkable mother, whose first husband had her jailed when she tried to leave him; and the shocking deaths of both her father and husband when Amy was just 14.How this weight of history has brought itself to bear on the adult Amy looms large in her own story. Ghosts, chance and fate have played a part in her life, and ‘The Opposite of Fate’ is an insight into those ancestors, the women who ‘never let me forget why these stories need to be told’.