Carolyn Burkeová, zkušená autorka životopisů slavných, prostudovala celou řadu dosud nezveřejněných dokumentů a předkládá tak čtenári nejucelenější a nejdetailnější biografii slavné šansoniérky, jejíž nesmrtelná píseň Non, je ne regrette rien propůjčila název i této knize.
Carolyn Burke Ordine dei libri (cronologico)
Carolyn Burke crea ritratti avvincenti di figure artistiche e culturali chiave del XX secolo. Con un occhio attento alle complessità delle vite creative e della psiche umana, approfondisce gli intricati percorsi personali e la produzione artistica dei suoi soggetti. Il suo stile narrativo è fluido e coinvolgente, attirando i lettori in un'esplorazione intima dei mondi dei suoi soggetti. Burke offre nuove prospettive su figure chiave della cultura moderna, esaminando temi di identità, creatività ed eredità.
Exploring the life of a groundbreaking photographer, this biography delves into Lee Miller's remarkable journey from a model to a war correspondent during World War II. It highlights her artistic evolution, personal struggles, and her relationships with influential figures in the art world. The narrative captures her unique perspective on beauty and trauma, revealing how her experiences shaped her iconic photography. Through detailed research and vivid storytelling, the book presents a comprehensive portrait of Miller's contributions to both photography and feminist art.
This Sex Which Is Not One
- 222pagine
- 8 ore di lettura
In this collection of eleven insightful essays, Luce Irigaray expands on key themes from her earlier work, addressing the status of women in Western philosophical and psychoanalytic discourse. She reexamines female sexuality across various contexts relevant to current feminist theory and practice. Topics include the implications of Freud and Lacan for understanding womanhood, the significance of differences between male and female sex organs, and the experiences of erotic pleasure in both genders. Irigaray also addresses the economic exploitation of women, presenting a nuanced interpretation of Marx that highlights how women's subjection has been institutionalized through their reduction to objects of economic exchange. Throughout her work, she challenges male-centered structures of language and thought, advocating for a woman's discourse that counters the phallocentrism embedded in Western culture. This volume, translated skillfully by Catherine Porter and Carolyn Burke, makes the subversive arguments of her earlier work more accessible and will be essential for those engaged with contemporary feminist issues.