Andrew Bromfield Libri

The second instalment in the million-copy-selling Russian fantasy trilogy, The Chronicles of Siala

Walking the streets of Moscow, indistinguishable from the rest of its population, are The Others. Magicians capable of entering the Twilight, a shadowy world that exists in parallel to our own, each owes allegiance either to the Dark, or the Light. Three years have passed since the events of The Day Watch. Svetlana has left the Night Watch to raise her and Anton's daughter Nadya, now a precocious two-year-old. With mother and daughter spending the summer on a dacha not far from Moscow, Anton is working on uneventfully, dreaming of a holiday, when his boss Gesser asks him in for a private meeting. Gesser has received an anonymous note, stating that an Other has revealed the full truth about their kind to a human, and now intends to do the impossible: convert that human into an Other.

Dopo millenni di lotta senza vincitori né vinti, le forze delle Tenebre e quelle della Luce decisero di stringere un patto che le avrebbe obbligate a non prevalere mai l'una sull'altra. Custodi di questa tregua sarebbero stati gli altri: streghe, maghi, mutantropi, demoni e vampiri, votati a sorvegliare la notte se appartenenti alla Luce, o il giorno, se adepti delle Tenebre. Gli altri sono gli unici che possono entrare nel crepuscolo, un limbo da cui traggono poteri soprannaturali, in cui guardiani della notte e del giorno possono incontrarsi. Il guardiano Anton, un mago della Luce, questa volta deve indagare sulla morte di un ragazzo russo trovato ucciso e dissanguato nei Sotterranei della Scozia, una casa degli orrori a Edimburgo. Tutto porta a credere che sia opera di un vampiro. Ma perché allora l'assassino non ha bevuto nemmeno una goccia di sangue della sua vittima?

It is a mysterious city whose sun is switched on in the morning and switched off at night, bordered by an abyss on one side and an impossibly high wall on the other. Its inhabitants are people who were plucked from twentieth-century history at various times and places and left to govern themselves, advised by Mentors whose purpose seems inscrutable. This is life in the Experiment. Andrei Voronin, a young astronomer plucked from Leningrad in the 1950s, is a die-hard believer in the Experiment, even though his first job in the city is as a garbage collector. As increasinbly nightmarish scenarios begin to affect the city, he rises through the political hierarchy, with devastating effect.

The second installment of the phenomenal Russian quartet The Night Watch vampire novels set in a richly realized post-Soviet Moscow. The second book in the internationally bestselling fantasy series, The Day Watch begins where The Night Watch left off, set in a modern-day Moscow where the 1,000-year-old treaty between Light and Dark maintains its uneasy balance through careful vigilance from the Others. The forces of darkness keep an eye during the day, the Day Watch, while the agents of Light monitor the nighttime. Very senior Others called the Inquisitors are the impartial judges insisting on the essential compact. When a very potent artifact is stolen from them, the consequences are dire and drastic for all sides. The Day Watch introduces the perspective of the Dark Ones, told in part by a young witch who bolsters her evil power by leeching fear from children’s nightmares as a counselor at a girls’ summer camp. When she falls in love with a handsome young Light One, the balance is threatened and a death must be avenged. The Day Watch is replete with the thrilling action and intricate plotting of the first tale, fuelled by cunning, cruelty, violence, and magic. It is a fast paced, darkly humorous, haunting world that will take root in the shadows of your mind and live there forever.

"... Gathered together all the surviving diaries written by Russian children during the Second World War that it has been possible to find, and now, for the first time in seventy years, the [sic] these diaries have been brought together in a single volume ... more than half of the thirty-five diaries included in this collection are published here for the first time"--Back cover.

Название романа происходит из эпизода, в котором мальчик мечтает создать аттракцион с дрессированными мышами, изображающими взятие Измаила. Оно иронично, что подчеркивается именем главного героя Александра Васильевича и фразой его отца: "Эту жизнь, Мишка, нужно брать, как крепость!" Роман посвящён Франческе Штёклин, второй жене писателя. Структура произведения сложная, сюжетные линии обрываются и начинаются заново, часто с судебной речи, которая отвлекается на подробности о деле или личности. Михаил Шишкин объясняет, что автор намеревается написать книгу, но, когда сюжет начинает развиваться, он меняет направление. В итоге все сюжеты отбрасываются, и на поверхность выходит настоящая жизнь автора, включая детали его детства в коммуналке, жизнь с морем, брак с швейцаркой и рождение сына. Герой покидает Россию, видя её как кошмарный сон, от которого невозможно избавиться. Шишкин описывает текст как отражение своей жизни в России, где, несмотря на изменения, глубинные человеческие отношения остаются неизменными. Он определяет жанр как "тотальный роман", где персонажем выступает стиль. В книге переплетаются различные рассказы и стили, включая высокие и непристойные, а также множество аллюзий на классиков и цитат. Частые изменения стиля и старинный язык напоминают "Улисс" Джойса.