Hughie O'Donoghue Ordine dei libri (cronologico)

This title presents a significant overview of a major artist. Scheduled to mark a major donation of the work of Hughie O'Donoghue to IMMA by the American art collector Craig Baker, this catalogue accompanies the exhibition which focuses on significant works from the Baker donation including "Blue Crucifixion" and "An Anatomy of Melancholy". These will be juxtaposed with works from the artist's studio revealing more recent developments in his practice. Born in Manchester in 1953, Hughie O'Donoghue has been exhibiting his work in international solo and group exhibitions since 1982, and has gained a reputation as one of the leading painters of his generation. His paintings are included in important public collections including the National Gallery, London; the Whitworth Art Gallery, Manchester; and, the Arts Council of England.

Contemporary artist Hughie O'Donoghue has long been preoccupied by the experience of war and its legacy - not the grand military moments that formed the subject-matter of traditional history painting, but the story of the individual.The starting-point for O'Donoghue has been an engagement with his father's experiences as an infantryman in the Second World War, in France, Britain, Italy and Greece. His work is centred on two main his father's retreat from France through the port of Cherbourg in June 1940, after the evacuation of Dunkirk; and the advance in Italy in 1944, including the Battle of Monte Cassino.O'Donoghue sees his body of work on the theme of war as "a visual equivalent of the Classical epic poem, with individual pictures functioning like chapters, verses, or lines". The analogy is carried through into the works themselves, many of which tell their often complicated story in a strikingly visual, semi-abstracted way through metaphor, symbolism and references that derive from ancient Greek mythology. The story of the individual, of the artist's father, thereby becomes the story of Everyman - a story at once intimate and anonymous. In this, the first major study of O'Donoghue's work, the themes of history, memory and identity are explored.