Margreet Dorleijn Libri

In an old mansion in Cennethisar, a former fishing village near Istanbul, an old widow Fatma awaits the annual summer visit of her grandchildren. She has lived in the village for decades, ever since her husband, an idealistic young doctor, first arrived to serve the poor fishermen. Now mostly bedridden, she is attended by her faithful servant Recep, a dwarf and the doctor's illegitimate son. Under the creeping shadow of right-wing nationalism and political revolution, they share memories, and grievances, of the early years, before their home became a high-class resort.Her visiting grandchildren are Faruk, a dissipated failed historian; his sensitive leftist sister, Nilgun, has yet to discover the real-life consequences of highminded politics; and Metin, a high school student drawn to the fast life of the nouveaux riches, who dreams of going to America. But it is Recep's nephew Hassan, a high-school dropout, lately fallen in with right-wing nationalism, who will draw this family into the revolution and the growing political cataclysm issuing from Turkey's tumultuous century-long struggle for modernity. By turns deeply moving, hilarious, and terrifying, Silent House pulses with the energy of a great writer's early work even as it offers beguiling evidence of the mature genius for which Orhan Pamuk, winner of the Nobel Prize in 2006, would later be world renowned.

The Nobel Prize winner and one of today's most prominent contemporary Turkish writers delivers a novel that is a fiendishly devious mystery, a beguiling love story, a brilliant symposium on the power of art, and a “modern classic … rich and essential” (Los Angeles Times Book Review)—set amid the splendor and religious intrigue of sixteenth-century Istanbul. The Sultan has commissioned a cadre of the most acclaimed artists in the land to create a great book celebrating the glories of his realm. Their task: to illuminate the work in the European style. But because figurative art can be deemed an affront to Islam, this commission is a dangerous proposition indeed. The ruling elite therefore mustn’t know the full scope or nature of the project, and panic erupts when one of the chosen miniaturists disappears. The only clue to the mystery—or crime?—lies in the half-finished illuminations themselves. Part fantasy and part philosophical puzzle, My Name is Red is a kaleidoscopic journey to the intersection of art, religion, love, sex and power. Translated from the Turkish by Erda M Göknar

A Kars, al confine tra Turchia, Armenia e Georgia, alcune giovani ragazze si suicidano, apparentemente costrette a togliersi il velo all'università. Il poeta Ka, esule turco in Germania, è inviato a Kars per un reportage e inizia a indagare, lacerato dal confronto tra Occidente e Islam. La neve cade incessantemente, mentre la città, un miscuglio di etnie e fazioni politiche, è segnata da tensioni tra turchi, curdi, georgiani, nazionalisti laici e integralisti religiosi, con la presenza della polizia segreta, dell'esercito e dei terroristi islamici. Durante la sua indagine, Ka rivede Ipek, una bella compagna di università di cui si innamora, sognando di portarla con sé in Germania. Per realizzare questo sogno, è disposto a tutto. La situazione si complica quando una compagnia teatrale mette in scena un dramma degli anni Venti a favore della laicità, in cui una donna brucia il chador in pubblico. Durante lo spettacolo, una protesta di studenti di un liceo religioso sfocia in violenza. Ka, coinvolto suo malgrado, si trova in una posizione confusa, incapace di rispondere alla domanda sulla fede. Pur affermando di aver ritrovato Allah a Kars, la sua vera ricerca è quella della felicità, in un contesto di conflitto tra culture.