Jean Pierre Vernant Libri

Jean Pierre-Vernant and Pierre Vidal-Naquet are leaders in a contemporary French classical scholarship that has produced a a stunning reconfiguration of Greek thought and literature. In this work, published here as a single volume, the authors present a disturbing and decidedly non-classical reading of Greek tragedy that insists on its radical discontinuity with our own outlook and with our social, aesthetic, and psychological categories. Originally published in French in two volumes, this new single-volume edition includes revised essays from volume one and is the first English translation of both volumes.

With Ancestor of the West , three distinguished French historians reveal the story of the birth of writing and reason, demonstrating how the logical religious structures of Near Eastern and Mesopotamian cultures served as precursors to those of the West. "Full of matter for anyone interested in language, religion, and politics in the ancient world."—R. T. Ridley, Journal of Religious History "In this accessible introduction to the ancient world, three leading French scholars explore the emergence of rationality and writing in the West, tracing its development and its survival in our own traditions. . . . Jean Bottero focuses on writing and religion in ancient Mesopotamia, Clarisse Herrenschmidt considers a broader history of ancient writing, and Jean-Pierre Vernant examines classical Greek civilization in the context of Near Eastern history."— Translation Review

Myth and Thought among the Greeks, first published in 1965, presents a collection of early essays by the distinguished French anthropologist Jean-Pierre Vernant. Focussing on Hellenism from the perspective of historical psychology, he applies structuralist ideas to Greek culture and myth with the purpose of discerning the contours of the ancient Greek personality. Vernant develops a structuralist analysis of Hesiod s myth of the races, then goes on to examine aspects of memory and time. He investigates in detail the organisation of space and the development of the conception of space. Work and technological thought are discussed in an important section, which also covers the psychological category of the double, personal identity and religion, and the movement from mythical to rational thought. These essays represent a pioneering approach to the study of Greek myth, illuminating the obscure turning point which the psychology of Hellenism marks in the history of Western culture.

Exploring the rich tapestry of Greek mythology, Vernant's retelling begins with the Earth's creation from Chaos and unfolds through pivotal events such as Uranus's castration and the Titan-Olympian conflict. The narrative highlights memorable figures like Prometheus, Zeus, and Pandora, alongside epic tales from the Trojan War to Odysseus's journey, and the fates of Dionysus and Oedipus. Vernant's unique storytelling style brings these ancient myths to life, making them accessible and engaging for modern readers.

Jean-Pierre Vernant's concise, brilliant essay on the origins of Greek thought relates the cultural achievement of the ancient Greeks to their physical and social environment and shows that what they believed in was inseparable from the way they...

In this engrossing retelling of Greek myth, Jean-Pierre Vernant combines his profound knowledge of the subject with brilliant and original story-telling. Beginning with the creation of Earth out of Chaos, Vernant continues with the castration of Uranus, the war between the Titans and the gods of Olympus, the wily ruses of Prometheus and Zeus, and the creation of Pandora, the first woman. His narrative takes us from the Trojan War to the voyage of Odysseus, from the story of Dionysus to the terrible destiny of Oedipus and to Perseus's confrontation with the Gorgons. Jean-Pierre Vernant has devoted himself to the study of Greek mythology. In recounting these tales, he unravels for us their multiple meanings and brings to life cherished figures of legend whose stories lie at the origin of our civilization.

Jean Pierre-Vernant and Pierre Vidal-Naquet are leaders in a contemporary French classical scholarship that has produced a a stunning reconfiguration of Greek thought and literature. In this work, published here as a single volume, the authors present a disturbing and decidedly non-classical reading of Greek tragedy that insists on its radical discontinuity with our own outlook and with our social, aesthetic, and psychological categories. Originally published in French in two volumes, this new single-volume edition includes revised essays from volume one and is the first English translation of both volumes.

In this groundbreaking study, Jean-Pierre Vernant delineates a compelling new vision of ancient Greece. Myth and Society in Ancient Greece takes us far from the calm and familiar images of Polykleitos and the Parthenon to reveal a fundamentally other culture -- one of slavery, of masks and death, of scapegoats, of ritual hunting, and of ecstasies. Vernant's provocative discussions of various institutions and practices (including war, marriage, and sacrifice) detail the complex intersection of the religious, social, and political structures of ancient Greece. The book concludes with Vernant's authoritative genealogy of the study of myth from Antiquity to structuralism and beyond. "Myth," he writes, "brings into operation a form of logic which we may describe, unlike the logic of noncontradiction of the philosophers, as a logic of the ambiguous and the equivocal."

Un recueil de sept études qui s'efforcent de soumettre les textes antiques à l'analyse structurale, à une recherche de l'intention littéraire et au démontage sociologique. Cette triple approche est appliquée aux tragédies en ce que chacune a de singulier, considérée comme un phénomène indissolublement social, esthétique et psychologique

En 1972, Jean-Pierre Vernant et Pierre Vidal-Naquet faisaient paraître Mythe et tragédie en Grèce ancienne, un recueil de sept études qui s'efforce de soumettre les textes antiques à l'analyse structurale, à une recherche de l'intention littéraire et au démontage sociologique. Cette triple approche n'est pas appliquée au mythe lui-même, mais aux tragédies en ce que chacune a de singulier, considérée comme " phénomène indissolublement social, esthétique et psychologique ". Paru quatorze ans plus tard, Mythe et tragédie II élargit la perspective choisie et centre l'analyse sur les dieux de la tragédie du Ve siècle, et en particulier sur le dieu du théâtre, le dieu au masque : Dionysos. Au-delà du théâtre classique, les auteurs se demandent pourquoi ce classicisme est devenu notre classicisme. Ces deux ouvrages sont aujourd'hui devenus des références incontournables pour tous les étudiants et les chercheurs en histoire ancienne, et au-delà, pour tous ceux qui s'intéressent aux rôles et aux structures des mythes.