Kate Tempest Ordine dei libri

Introducing the new poetry collection from Kae Tempest, Divisible by Itself and One.

Lyricist, novelist, poet and playwright Kate Tempest makes her National Theatre debut with 'Paradise', a potent and dynamic reimagining of the Greek classic 'Philoctetes' by Sophocles. Once comrades, now enemies after Odysseus abandoned Philoctetes to suffer a terrible wound alone, Odysseus is prepared to use any means necessary to get the shell-shocked Philoctetes back to the front and win the Trojan war.

Staggering talent Kae Tempest's first work of non-fiction: a meditation on the power of creative connection. Beneath the surface we are all connected . . . This is a meditation on the power of creative connection. Drawing on twenty years' experience as a writer and performer, Kae Tempest explores how and why creativity - however we choose to practise it - can cultivate greater self-awareness and help us establish a deeper relationship to ourselves and the world. Honest, tender and written with piercing clarity, On Connection is a call to arms that speaks to a universal yet intimate truth.

From award-winning poet, novelist, playwright, rapper, and recording artist Kate Tempest, an unabashedly intimate poetry collection that confirms her as one of our most important poetic truth-tellers. My body was like a harp and her words and gestures were like fingers running upon the wires. (James Joyce, Dubliners) Award-winning writer, spoken-word star, and spellbinding performer Kate Tempest's raw and exhilarating new collection is a heart-breaking, moving, and joyous book about the experience of love in its endings and beginnings. In a sense a departure from her previous work, Running Upon the Wires charts the dissolution of one relationship, the budding of another, and what happens in between, when the heart is pulled both ways at once. It's about joy and despair, confusion and clarity, self-destruction and revival. And it will come as no surprise to readers that Tempest is as direct, distinctive, and unflinching an observer of matters of the heart as she is of social and political change. Calling in its title upon the classical poet's harp, the technological wires of communication, and the neural wires of feeling, Tempest's electrifying new verse weaves interpersonal struggle into a powerfully cathartic and memorable work of art. Explosively lyrical, rhythmic, and throbbing with feeling, this collection is frayed yet powerful in its pain, determined to speak and to find love in a human community of “terrifying beauty.”

This is a meditation on the power of creative connection. Drawing on twenty years' experience as a writer and performer, Kae Tempest explores how and why creativity - however we choose to practise it - can cultivate greater self-awareness and help us establish a deeper relationship between ourselves and the world. -- Dust jacket

Running Upon The Wires is Kate Tempest's first book of free-standing poetry since the acclaimed Hold Your Own. In a beautifully varied series of formal poems, spoken songs, fragments, vignettes and ballads, Tempest charts the heartbreak at the end of one relationship and the joy at the beginning of a new love; but she also tells us what happens in between, when the heart is pulled both ways at once. Running Upon The Wires is a departure from Tempest's previous work, and unashamedly personal and intimate in its address - but will also confirm Tempest's role as one of our most important poetic truth-tellers: it will be no surprise to readers to discover that she is no less a direct and unflinching observer of matters of the heart than she is of social and political change. Running Upon The Wires is a heartbreaking, moving and joyous book about love, in its endings and in its beginnings. 'Whether on stage or on the page, her language hits like lightning. It illuminates and it burns.' Guardian

Kae Tempest's powerful narrative poem--set to music on their album of the same title, s hortlisted for the Mercury Music Prize --illuminates the lives of a single city street, creating an electric, humming human symphony.Let Them Eat Chaos, Kae Tempest’s long poem written for live performance and heard on the album release of the same name, is both a powerful sermon and a moving play for voices. Seven neighbors inhabit the same London street, but are all unknown to each other. The clock freezes in the small hours, and one by one we see directly into their lives that are damaged, disenfranchised, lonely, broken, addicted, and all, apparently, without hope. Then a great storm breaks over London, and brings them out into the night to face each other, giving them one last chance to connect.Tempest argues that our alienation from one another has bred a terrible indifference to our own fate, but counters this with a plea to challenge the forces of greed which have conspired to divide us, and mend the broken home of our own planet while we still have time. Let Them Eat Chaos is a cri de cœur, a call to action, and a powerful poetic statement.

It gets into your bones. You don't even realise it, until you're driving through it, watching all the things you've always known and leaving them behind. Young Londoners Becky, Harry and Leon are escaping the city in a fourth-hand Ford Cortina with a suitcase full of stolen money. Taking us back in time - and into the heart of London - The Bricks that Built the Houses explores a cross-section of contemporary urban life with a powerful moral microscope, giving us intimate stories of hidden lives, and showing us that good intentions don't always lead to the right decisions. Leading us into the homes and hearts of ordinary people, their families and their communities, Kate Tempest exposes moments of beauty, disappointment, ambition and failure. Wise but never cynical, driven by empathy and ethics, The Bricks the Built the Houses questions how we live with and love one another

First performance at the Orange Tree Theatre on 12 November 2014--Page facing colophon.

Englisch und deutsch. Übersetzt von Johanna Wange. Tempest sei mehr als modern, sondern praktisch Science-Fiction, schreibt der Guardian . Zu den literarischen und musikalischen Einflüssen zählen James Joyce und Wu-Tang Clan, Public Enemy und Virginia Woolf. Tempest beherrscht den innigen Volksliedton ebenso wie Londons Straßenslang, wandelt virtuos zwischen lyrischer Tradition und Hip-Hop. Die Gedichte in Hold Your Own bemächtigen sich auf radikal heutige, politische Weise des antiken Mythos von Teiresias, einer zweigeschlechtlichen Figur, von den Göttern geblendet und prophetisch begabt. In vier Teilen folgt der Zyklus dem Kind, dem Jüngling, der Frau und dem Mann, vermittelt eindrucksvoll, wie es ist, alt zu werden und »sehend«, dazu verurteilt, unserer neoliberalen Gesellschaft die Wahrheit zu sagen – und keiner hört zu. Lyrik-Empfehlung 2016 der Deutschen Akademie für Sprache und Dichtung, der Stiftung Lyrik Kabinett und der Literaturwerkstatt Berlin.