Lucy Lippard è un'influente critica d'arte e attivista il cui lavoro ha a lungo esplorato l'intersezione tra arte, femminismo, politica e luogo. La sua ricerca fondamentale ha plasmato la comprensione contemporanea dell'arte, in particolare attraverso il suo studio sulla dematerializzazione dell'oggetto artistico. Lippard sfida costantemente la critica d'arte tradizionale infondendo l'estetica con l'etica e l'attivismo politico. La sua eredità risiede nella sua capacità di trasformare il discorso artistico pur impegnandosi attivamente nel cambiamento sociale.
An experimental novel about mirrors, maps, relationships, about the ocean, elusive success and possible happiness. Weaving overeard dialogue, sexual encounters, and elements from the I Ching, Tarot, and palmistry, Lippard charts changing relationships among four people. Written in 1970, this novel brings to life political, feminist and aesthetic struggles of its time.
The author reveals a continuum in materials, forms, symbols and imagery artists have employed over 1000s of years. She shows how contemporary art and prehistoric images are linked, with images of past times being 'overlaid' onto works of today's artists.
This work documents the network of ideas that has been labelled conceptual art. Including texts by and taped discussions among and with the artists involved, the book is arranged as an annotated chronology.
Examines Pop's precursors and related styles and examines Pop Art today
Delve into the vibrant realm of 1960s pop art with Lucy Lippard's expert examination of this revolutionary art movement. The book offers a detailed exploration of the cultural and artistic shifts that defined the era, highlighting key artists and their works. Lippard's analysis provides a deeper understanding of how pop art challenged traditional notions of art and reflected societal changes, making it an essential read for anyone interested in modern art history.
Jo Baer gilt als eine der Wegbereiterinnen des Minimalismus. 1975 verabschiedete sie sich von der minimalistischen Malerei und wendete sich einer figurativen Formensprache zu. Der Katalog thematisiert diesen Bruch und arbeitet zugleich die Verbindung der beiden Werkgruppen heraus. Zudem wird erstmals das weitgehend unbekannte zeichnerische Werk vorstellt und in einen Bezug zu den frühen und späten Gemälden Baers gestellt. Baer wird als eine höchst eigenständige und unabhängige Künstlerin vorgestellt, deren Werk sich der Vorstellung einer gradlinigen Künstlerkarriere entzieht. Die Publikation ist der erste umfassende monografische Werkkatalog zu einer der bedeutendsten Künstlerinnen des Minimalismus