Emma Sutton è una studiosa letteraria di spicco il cui lavoro illumina le intricate connessioni tra musica e letteratura. Possiede una profonda comprensione di come queste due forme d'arte si influenzino e si arricchiscano a vicenda. Sutton esplora temi e stili che risuonano attraverso diversi mezzi artistici, offrendo ai lettori una prospettiva unica sulla loro interazione. I suoi saggi e le sue trasmissioni offrono esplorazioni approfondite per gli appassionati sia di letteratura che di musica.
This is the first book focused on Forster's Maurice and its legacies in modern and contemporary fiction, film and new media. Ground-breaking essays by leading scholars offer new readings by exploring overlooked contexts including: feminism and the 'social purity' movement; anti-Fascism; religion and allegory; and early twentieth-century contestations over body-soul relation.
Sutton presents a study of the influence of Richard Wagner on the work of Aubrey Beardsley (1872-1898). She explores the role of Wagnerism within British culture of the 1890's, in particular the relations between Wagnerism and the decadent movement.
In a kingdom plunged into chaos following the king's death, power struggles and betrayal emerge among nobles vying for the throne. Amidst the turmoil, unlikely alliances form, and hidden agendas come to light as characters navigate the treacherous political landscape. Themes of loyalty, ambition, and the quest for power drive the narrative, revealing the lengths individuals will go to secure their place in a fractured realm. As the battle for succession intensifies, the fate of the kingdom hangs in the balance.
Offers an investigation into the formative influence of music on Virginia Woolf's writing. The author discusses all of Woolf's novels as well as selected essays and short fiction, offering detailed commentaries on Woolf's numerous allusions to classical repertoire and to composers including Bach, Mozart, Beethoven and Wagner.