10 libri per 10 euro qui
Bookbot

Benjamin Britten

    Edward Benjamin Britten fu un compositore, direttore d'orchestra e pianista inglese. I suoi interessi compositivi spaziavano ampiamente, producendo opere significative in generi diversi, tra cui musica orchestrale, corale, vocale solista, da camera e per film. Mostrò anche un grande interesse per la composizione destinata a bambini e interpreti amatoriali, ed era un abile pianista e direttore.

    A Midsummer Night's Dream
    Letters from a Life Vol 2: 1939-45
    Letters from a Life Vol 1: 1923-39
    Hymn to St. Cecilia: Ssatb with Solos A Cappella
    Three Suites for Cello, Opp. 72, 80 & 87
    Works for Voice and Chamber Orchestra Les Illuminations, Nocturne, Serenade, Now Sleeps the Crimson Petal
    • This second of two volumes of the letters and diaries of Benjamin Britten is supplemented by the editors' detailed commentary and extensive contemporary documentation. The aim is to present a portrait not only of the composer but of an age.

      Letters from a Life Vol 2: 1939-45
    • Death in Venice: Choral Parts

      • 999pagine
      • 35 ore di lettura

      Britten's last opera is based on the short story by Thomas Mann. It follows the inner turmoil of the ageing novelist Gustav von Aschenbach, who becomes infatuated by a boy he sees on the beach in Venice. Unable to confess his love, he dies as the city is ravaged by plague. Full of atmosphere and intense soundscapes, the simple yet subtle motives pull the opera together with great sureness of touch.

      Death in Venice: Choral Parts
    • The Rape of Lucretia

      • 72pagine
      • 3 ore di lettura

      This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

      The Rape of Lucretia