Theodore Ziolkowski Ordine dei libri

This scholarly work delves into the influence of Roman poetry on contemporary Anglo-American, German, and French poets from the twentieth and twenty-first centuries. It examines how these modern writers have adopted and adapted ancient Roman poetic forms and themes, highlighting the enduring legacy of classical literature in shaping modern poetic expression. Through analysis, the book reveals the intersection of historical tradition and modern creativity in poetry.

This book presents a unique framework by organizing European Romanticism into distinct "stages," providing a cohesive understanding of its evolution over fifty years. It explores the movement's growth and eventual decline, highlighting key developments and shifts in artistic and literary expression during this transformative period.

Illuminates unexplored dimensions of the music-literature relationship and the sometimes unrecognized talents of certain famous writers and composers.

After much investigation, Ziolkowski reinforces Umberto Eco's notion that the most powerful secret, the magnetic center of conspiracy fiction, is in fact a secret without content.

The book explores the evolution of the alchemist's portrayal in literature, tracing its representation from Dante's era to modern times. It highlights the shifting perceptions and cultural significance of the alchemist throughout history, revealing how societal attitudes have influenced literary depictions of this enigmatic figure.

Exploring the intriguing choice of towers as retreats by four prominent poets and thinkers after World War I, this book delves into the cultural significance and biographical motivations behind their decisions. It connects modern turriphilia to historical towers, examining associations with spirituality, intellect, sexuality, and isolation. The narrative spans from ancient Mesopotamian ziggurats to the ivory towers of the fin de siècle, offering a rich context for understanding the symbolic meanings attached to these structures throughout history.

Ziolkowski explores the essence of conspiracy fiction, supporting Umberto Eco's idea that its core lies in an elusive "secret without content." Through thorough investigation, he delves into how this concept shapes narratives, revealing the underlying mechanics and allure of conspiracies in literature. The analysis highlights the paradox of seeking meaning in secrets that ultimately may hold no tangible truth, inviting readers to reconsider their perceptions of storytelling and mystery.

In Gilgamesh among Us, Theodore Ziolkowski explores the surprising legacy of the poem and its hero, as well as the epic's continuing influence in modern letters and arts.

Bislang war stets von 'Romantik in Dresden' oder mehreren 'Dresdner Romantiken' die Rede. Indem er die Aktivitäten einer Gruppe junger Intellektueller, Künstler und Schriftsteller nachzeichnet, gelingt es dem renommierten Romantikkenner Theodore Ziolkowski zu zeigen, daß die Jahre 1806-1809 eine spezifische 'Dresdner Romantik' bilden. Gekennzeichnet ist diese 'Dresdner Romantik' durch eine betonte Hinwendung zur Politik und eine harmonische Verbindung von Wissenschaft und Kunst. Die Periode beginnt mit den aufsehenerregenden Wechselvorträgen von Adam Müller und G. H. Schubert, zu denen Kleists 'Käthchen von Heilbronn' und 'Die Hermannsschlacht' das literarische und Caspar David Friedrichs umstrittener 'Tetschener Altar' das künstlerische Gegenstück bieten. Kleists und Müllers Zeitschrift 'Phöbus' spiegelt das reiche kulturelle Leben, das die jungen Künstler und Gelehrten mit den Diplomaten und Offizieren der Residenz zusammenbrachte.