Arkadij Natanovič Strugackij Libri

Two Soviet science fiction novels by the Strugatsky brothers. Introduction by Theodore Sturgeon.

One of Russian SF's most important novels, available uncensored for the first time, in a new translation by Andrew Bromfield.

Red Schuhart is a stalker, one of those young rebels who are compelled, in spite of extreme danger, to venture illegally into the Zone to collect the mysterious artifacts that the alien visitors left scattered around. His life is dominated by the place and the thriving black market in the alien products. But when he and his friend Kirill go into the Zone together to pick up a “full empty,” something goes wrong. And the news he gets from his girlfriend upon his return makes it inevitable that he’ll keep going back to the Zone, again and again, until he finds the answer to all his problems.

Never before translated into English, Lame Fate is the first-person account of middle-aged author Felix Sorokin. When the Soviet Writers' Union asks him to submit a writing sample to a newfangled machine that can supposedly evaluate the "objective value" of any literary work, he faces a dilemma. Should he present something establishment-approved but middling, or risk sharing his unpublished masterpiece, which has languished in his desk drawer for years? Sorokin's masterwork is Ugly Swans, previously published in English as a standalone work but presented here in an authoritative new translation. Ugly Swans chronicles the travails of disgraced literary celebrity Victor Banev, who returns to his provincial hometown to find it haunted by the mysterious clammies--black-masked men residing in a former leper colony. Possessing supernatural talents, including the ability to control the weather, the clammies terrify the town's adult population but enthrall its teenagers, including Banev's daughter Irma. Together, Lame Fate and Ugly Swans illuminate some of the Strugatskys' favorite themes--the (im)possibility of political progress, the role of the individual in society, the nature of honor and courage, and the enduring value of art--in consummately entertaining fashion.

Red Schuhart is a stalker, one of those misfits who are compelled, in spite of extreme danger, to venture illegally into the Zone to collect the mysterious artefacts that the alien visitors left scattered around. His life is dominated by the place and the thriving black market in the alien products. Even the nature of his mutant daughter has been determined by the Zone. And it is for her that he makes his last tragic foray into the hazardous and hostile territory.

The Snail on the Slope takes place in two worlds. One is the Administration, an institution run by a surreal, Kafkaesque bureaucracy whose aim is to govern the forest below. The other is the Forest, a place of fear, weird creatures, primitive people and violence. Peretz, who works at the Administration, wants to visit the Forest. Candide crashed in the Forest years ago and wants to return to the Administration. Their journeys are surprising and strange, and readers are left to puzzle out the mysteries of these foreign environments. The Strugatskys themselves called The Snail on the Slope “the most perfect and the most valuable of our works.”

It is a mysterious city whose sun is switched on in the morning and switched off at night, bordered by an abyss on one side and an impossibly high wall on the other. Its inhabitants are people who were plucked from twentieth-century history at various times and places and left to govern themselves, advised by Mentors whose purpose seems inscrutable. This is life in the Experiment. Andrei Voronin, a young astronomer plucked from Leningrad in the 1950s, is a die-hard believer in the Experiment, even though his first job in the city is as a garbage collector. As increasinbly nightmarish scenarios begin to affect the city, he rises through the political hierarchy, with devastating effect.

Astrophysicist Dmitri Malianov is on the precipice of a major discovery - a Nobel Prize-worthy break though. Yet, home alone in his Leningrad apartment, his work is beginning to be stymied. Strange and improbable distractions are mounting around him - and he is not alone. Across the city, his scientific colleagues, all close to their own eureka moments, keep finding themselves subject to countless mysterious interruptions. Are they paranoid, or is a malign authority conspiring against them . . . ? A science fiction classic from two Russian masters, One Billion Years to the End of the World is at turns both hilarious and suspenseful, while at its heart hides a quiet yet biting critique of Soviet totalitarianism.

This collection offers a significant selection of influential science fiction from Russia, making it accessible to English-speaking readers for the first time. By bridging the gap between cultures, it highlights the unique themes and perspectives that have shaped Russian science fiction over the past century, providing insights into the genre's evolution within the world's largest country.

Anton is an undercover operative from future Earth, who travels to an alien world whose culture has not progressed beyond the Middle Ages. Although in possession of far more advanced knowledge than the society around him, he is forbidden to interfere with the natural progress of history. His place is to observe rather than interfere - but can he remain aloof in the face of so much cruelty and injustice ...'