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Rudolfo A. Anaya

    30 ottobre 1937 – 28 giugno 2020

    Rudolfo Anaya è acclamato come il fondatore della letteratura chicana moderna, profondamente radicata nel paesaggio e negli incroci culturali del sud-ovest americano. Intreccia magistralmente influenze dell'antica Spagna, del Messico e dell'angloamerica del XX secolo, infondendo le sue narrazioni con magia e mito. Lo stile di scrittura di Anaya attinge fortemente dalla tradizione orale, una tecnica che porta sulla pagina stampata. La sua opera influente è essenziale per gli studi chicanos e ha promosso in modo significativo la pubblicazione di autori ispanici.

    Rudolfo Anaya: Bless Me, Ultima, Tortuga, Alburquerque
    Poems from the Rio Grande
    Heart of Aztlan. A Novel
    The Essays: Volume 7
    Lord of the Dawn
    La magia di Ultima
    • Lord of the Dawn

      The Legend of Quetzalcóatl

      • 166pagine
      • 6 ore di lettura

      The enduring myth of Quetzalcóatl explores the creation of the universe by the gods and emphasizes humanity's crucial role in maintaining harmony within it. This narrative highlights the delicate balance required to prevent chaos, which threatens both the cosmos and civilization. Through its rich themes, the legend underscores the importance of spiritual vigilance in safeguarding the world.

      Lord of the Dawn
    • The Essays: Volume 7

      • 332pagine
      • 12 ore di lettura

      Rudolfo Anaya's collection of 52 essays reflects his Mexican American heritage and storytelling prowess. Through personal narratives, he addresses significant themes like censorship, racism, education, and sexual politics, offering insights into both societal issues and his own life experiences. Anaya's blend of personal reflection and cultural commentary highlights the complexities of identity and the power of words in shaping understanding and resistance.

      The Essays: Volume 7
    • The Albuquerque barrio portrayed in this vivid novel of postwar New Mexico is a place where urban and rural, political and religious realities coexist, collide, and combine. The magic realism for which Anaya is well known combines with an emphatic portrayal of the plight of workers dispossessed of their heritage and struggling to survive in an alien culture.

      Heart of Aztlan. A Novel
    • The collection showcases twenty-eight poems by Rudolfo Anaya, revealing his lyrical prowess as a poet, distinct from his well-known fiction. Spanning three decades, the poems, written in both English and Spanish, present a rich tapestry of themes and emotions. Many of these works are previously unpublished, offering a unique glimpse into Anaya's literary and poetic imagination, making this collection a significant addition to his body of work.

      Poems from the Rio Grande
    • "Mythmaker, master storyteller, and a writer powerfully attuned to the land and history of his native New Mexico, Rudolfo Anaya is one of the undisputed fathers of Chicano literature. Writing in an era when Latino voices were marginalized and just beginning to be read and acknowledged, Anaya broke new ground with Bless Me, Ultima (1972), a mythic novel that captures the richness and complexity of history, community, and place in the American Southwest. Bless Me, Ultima, read eagerly and widely before receiving even a single mainstream review, launched Anaya on an acclaimed literary career. Tortuga (1979), drawing on his own experience of suffering and recuperation after a diving accident as a teenager, is set in a rehabilitation center for disabled children. And in the 1992 novel Alburquerque (restoring the original "r" that was removed from the city's name), a young boxing champion discovers that his white biological mother had given him up for adoption at birth, spurring him to reevaluate everything he had thought himself to be. Rudolfo Anaya (1937-2020) was born in the village of Pastura, New Mexico, and moved with his family to Albuquerque at the age of 14. He graduated from the University of New Mexico with a B.A. in English and taught in Albuquerque's public schools"

      Rudolfo Anaya: Bless Me, Ultima, Tortuga, Alburquerque
    • In the third book in Anaya's Albuquerque mystery series, P.I. Sonny Baca learns to enter his dream world and fight his nemesis, the Raven, before he is utterly destroyed.

      Shaman Winter
    • Alburquerque

      • 286pagine
      • 11 ore di lettura

      "Alburquerque is a rich and tempestuous book, full of love and compassion, the complex and exciting skullduggery of politics, and the age-old quest for roots, identity, family. . . . There is a marvelous tapestry of interwoven myth and magic that guides Anaya's characters' sensibilities, and is equally important in defining their feel of place. Above all, in this novel is a deep caring for land and culture and for the spiritual well-being of people, environment, landscape."--John Nichols, author of The Milagro Beanfield War: A Novel". . . Alburquerque portrays a quest for knowledge. . . . [It] is a novel about many cultures intersecting at an urban, power-, and politics-filled crossroads, represented by a powerful white businessman, whose mother just happens to be a Jew who has hidden her Jewishness, . . . and a boy from the barrio who fathers a child raised in the barrio but who eventually goes on to a triumphant assertion of his cross-cultural self."--World Literature Today"Alburquerque fulfills two important functions: it restores the missing R to the name of the city, and it shows off Anaya's powers as a novelist."--Alan Cheuse, National Public Radio

      Alburquerque
    • Exploring themes of sorrow and connection, the narrative unfolds through the poignant dialogue between Agapita and Alfonso. Their conversation hints at the emotional struggles and shared experiences that bind them, inviting readers to delve into the complexities of human relationships and the weight of grief in a world that often feels heavy with sadness. The story promises a deep exploration of personal and collective pain, highlighting the importance of empathy and understanding in overcoming life's challenges.

      The Sorrows of Young Alfonso, 15
    • Exploring the intersection of the supernatural and historical realities, the narrative delves into how magical elements illuminate both past events and contemporary issues. Anaya's work blends magical realism with historical fiction, prompting readers to reflect on the deeper truths woven into our history and current experiences.

      Chupacabra Meets Billy the Kid, 21