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Der rauchende Berg

Geschichten aus Nachkriegsdeutschland

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  • 253pagine
  • 9 ore di lettura

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A collection of eleven short stories of occupied Germany where Kay Boyle has spent the last two years, introduced by a longer piece on the trial of the ""Frankfort Butcher"", Heinrich Boab. Both here, and in the stories, the ""true computation is fervently made"" that here, in the German people, is no realization of guilt, no knowledge of guilt. The stories are enormously effective, compassionate, bitter, sharpened by the understated, the unsaid,-and it is in the short story situation (rather than in the novel) that Kay Boyle is particularly gifted. There's the arson revenge of a German child against an American family; a take-off of the Amis in Cabaret, a touching tribute to a soldier, and the little boy he outfits, and a harsh scoring of the occupation's bigger brass; and The Lost and Adam's Tod give a powerful, tacit portrayal of the victims- young and old- of displacement and discrimination... If not keyed to the preferences of her more popular audience, this will carry to her earlier, discriminating following.

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Der rauchende Berg, Kay Boyle

Lingua
Pubblicato
1991
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Titolo
Der rauchende Berg
Sottotitolo
Geschichten aus Nachkriegsdeutschland
Lingua
Tedesco
Autori
Kay Boyle
Pubblicato
1991
Formato
Copertina rigida
Pagine
253
ISBN10
3801502481
ISBN13
9783801502485
Serie
Titolo originale
The smoking mountain
Valutazione
5 su 5
Descrizione
A collection of eleven short stories of occupied Germany where Kay Boyle has spent the last two years, introduced by a longer piece on the trial of the ""Frankfort Butcher"", Heinrich Boab. Both here, and in the stories, the ""true computation is fervently made"" that here, in the German people, is no realization of guilt, no knowledge of guilt. The stories are enormously effective, compassionate, bitter, sharpened by the understated, the unsaid,-and it is in the short story situation (rather than in the novel) that Kay Boyle is particularly gifted. There's the arson revenge of a German child against an American family; a take-off of the Amis in Cabaret, a touching tribute to a soldier, and the little boy he outfits, and a harsh scoring of the occupation's bigger brass; and The Lost and Adam's Tod give a powerful, tacit portrayal of the victims- young and old- of displacement and discrimination... If not keyed to the preferences of her more popular audience, this will carry to her earlier, discriminating following.