Parametri
- 286pagine
- 11 ore di lettura
Maggiori informazioni sul libro
A pioneer in the field, Christian Metz applies insights of structural linguistics to the language of film."The semiology of film . . . can be held to date from the publication in 1964 of the famous essay by Christian Metz, 'Le cinéma: langue ou langage?'"—Geoffrey Nowell-Smith, Times Literary Supplement"Modern film theory begins with Metz."—Constance Penley, coeditor of Camera Obscura"Any consideration of semiology in relation to the particular field signifying practice of film passes inevitably through a reference to the work of Christian Metz. . . . The first book to be written in this field, [Film Language] is important not merely because of this primacy but also because of the issues it raises . . . issues that have become crucial to the contemporary argument."—Stephen Heath, Screen
Acquisto del libro
Film Language, Christian Metz
- Lingua
- Pubblicato
- 1991
- product-detail.submit-box.info.binding
- (In brossura)
Metodi di pagamento
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- Titolo
- Film Language
- Lingua
- Inglese
- Autori
- Christian Metz
- Pubblicato
- 1991
- Formato
- In brossura
- Pagine
- 286
- ISBN10
- 0226521303
- ISBN13
- 9780226521305
- Serie
- Tag
- Saggistica, Scienze sociali, Arte / Cultura, Arte, Tematica cinematografica, Film, Lingue, Linguistica, Teorie Scientifiche, Ricerca, Semiotica
- Valutazione
- 3,85 su 5
- Descrizione
- A pioneer in the field, Christian Metz applies insights of structural linguistics to the language of film."The semiology of film . . . can be held to date from the publication in 1964 of the famous essay by Christian Metz, 'Le cinéma: langue ou langage?'"—Geoffrey Nowell-Smith, Times Literary Supplement"Modern film theory begins with Metz."—Constance Penley, coeditor of Camera Obscura"Any consideration of semiology in relation to the particular field signifying practice of film passes inevitably through a reference to the work of Christian Metz. . . . The first book to be written in this field, [Film Language] is important not merely because of this primacy but also because of the issues it raises . . . issues that have become crucial to the contemporary argument."—Stephen Heath, Screen