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Postdramatic Theatre and India participates in the ongoing debate on Hans-Thies Lehmann's theory of the postdramatic by placing contemporary Indian theatre within the conversation. It demonstrates how urban productions in India since the 1990s, which grew out of a complex of changing global and regional circumstances, have used theatre-making protocols to enter into dialogue with the postdramatic, reworking the process by enriching it with domestic performance cultures. Rich in formal diversity, theatre in India today includes devised shows, theatre solos, cross-media performance, theatre installations, scenographic theatre, theatre-as-event, reality theatre, and so much more. The book balances theory, contextualization and praxis, developing an entirely new area of scholarship in Indian theatre. Interspersed with this are Indian theatre-makers' reflections on their own theory and practices vis-áa-vis those in the rest of the world. -- Cover page 4.
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Postdramatic Theatre and India, Ashis Sengupta
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- Pubblicato
- 2022
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