Parametri
- 284pagine
- 10 ore di lettura
Maggiori informazioni sul libro
"The first book on Basquiat's ingenious uses of found objects and unconventional materials. Bringing together a range of unconventional painted supports and found-object sculptures, Jean-Michel Basquiat: Art and Objecthood provides an innovative, in-depth look into the artist's sculptural practice. In addition to painting and drawing on everything within his domestic spaces--refrigerators, chairs, cabinets--Basquiat made use of discarded windows and doors, mirrors, wood boards and subway tiles in his earliest creations. In a 1985 interview with Becky Johnston and Tamra Davis, he explained: "The first paintings I made were on windows I found on the street. And I used the window shape as a frame, and I just put the painting on the glass part and on doors I found on the street." Jean-Michel Basquiat: Art and Objecthood borrows its title from the influential 1967 essay by renowned art historian Michael Fried, who critiqued Minimalism for its dogmatic separation between
Acquisto del libro
Jean-Michel Basquiat, Dieter Buchhart
- Lingua
- Pubblicato
- 2022
- product-detail.submit-box.info.binding
- (Copertina rigida)
Metodi di pagamento
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- Titolo
- Jean-Michel Basquiat
- Sottotitolo
- Art and Objecthood
- Lingua
- Inglese
- Autori
- Dieter Buchhart
- Editore
- Hatje Cantz
- Pubblicato
- 2022
- Formato
- Copertina rigida
- Pagine
- 284
- ISBN10
- 3775753311
- ISBN13
- 9783775753319
- Serie
- Valutazione
- 4,5 su 5
- Descrizione
- "The first book on Basquiat's ingenious uses of found objects and unconventional materials. Bringing together a range of unconventional painted supports and found-object sculptures, Jean-Michel Basquiat: Art and Objecthood provides an innovative, in-depth look into the artist's sculptural practice. In addition to painting and drawing on everything within his domestic spaces--refrigerators, chairs, cabinets--Basquiat made use of discarded windows and doors, mirrors, wood boards and subway tiles in his earliest creations. In a 1985 interview with Becky Johnston and Tamra Davis, he explained: "The first paintings I made were on windows I found on the street. And I used the window shape as a frame, and I just put the painting on the glass part and on doors I found on the street." Jean-Michel Basquiat: Art and Objecthood borrows its title from the influential 1967 essay by renowned art historian Michael Fried, who critiqued Minimalism for its dogmatic separation between
