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'There are two things that you should know about me immediately: the first is that I am beautiful, the second is that yesterday I killed a man. Both things were accidents . ..' When Midlands housewife Coventry Dakin kills her neighbour with an Action Man - in a wild bid to prevent him from strangling his wife - she goes on the run. Finding herself alone and friendless in London, she tries to lose herself in the city's maze of streets. There, she meets a bewildering cast of eccentric characters. From Professor Willoughby D'Eresby, his perpetually naked wife Letitia, to Dodo, a care-in the-community inhabitant of Cardboard City, they all contrive to change Coventry in ways she could never have foreseen . . .
Pubblicazione
Acquisto del libro
Rebuilding Coventry, Sue Townsend
- Lingua
- Pubblicato
- product-detail.submit-box.info.binding
- (In brossura)
Metodi di pagamento
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- Titolo
- Rebuilding Coventry
- Lingua
- Inglese
- Autori
- Sue Townsend
- Editore
- Wolters-Noordhoff
- Formato
- In brossura
- Pagine
- 208
- ISBN10
- 9001554938
- ISBN13
- 9789001554934
- Serie
- Tag
- Narrativa, Tema stórico, Gialli & Thriller, Gialli, Umorismo, Donne, Amicizia, Letteratura britannica, Omicidi, XX Secolo, Commedie, Gran Bretagna, Londra, Fuga, Nuovo Inizio, Emancipazione, Senza fissa dimora
- Valutazione
- 3,05 su 5
- Descrizione
- 'There are two things that you should know about me immediately: the first is that I am beautiful, the second is that yesterday I killed a man. Both things were accidents . ..' When Midlands housewife Coventry Dakin kills her neighbour with an Action Man - in a wild bid to prevent him from strangling his wife - she goes on the run. Finding herself alone and friendless in London, she tries to lose herself in the city's maze of streets. There, she meets a bewildering cast of eccentric characters. From Professor Willoughby D'Eresby, his perpetually naked wife Letitia, to Dodo, a care-in the-community inhabitant of Cardboard City, they all contrive to change Coventry in ways she could never have foreseen . . .




