Maggiori informazioni sul libro
Isserley picks up hitchhikers with big muscles. She, herself, is tiny—like a kid peering up over the steering wheel. She has a remarkable face and wears the thickest corrective lenses anyone has ever seen. Her posture is suggestive of some spinal problem. Her breasts are perfect; perhaps implants. She is strangely erotic yet somehow grotesque, vulnerable yet threatening. Her hitchhikers are a mixed bunch of men—trailer trash and travelling postgrads, thugs and philosophers. But Isserley is only interested in whether they have families and whether they have muscles. Then, it's only a question of how long she can endure her pain—physical and spiritual—and their conversation. Michel Faber's work has been described as a combination of Roald Dahl and Franz Kafka, as Somerset Maugham shacking up with Ian McEwan. At once humane and horrifying, Under the Skin takes us on a heart-thumping ride through dangerous territory—our own moral instincts and the boundaries of compassion.
Acquisto del libro
Under the Skin, Michel Faber
- Lingua
- Pubblicato
- 2004
- product-detail.submit-box.info.binding
- (In brossura)
Metodi di pagamento
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- Titolo
- Under the Skin
- Lingua
- Inglese
- Autori
- Michel Faber
- Editore
- Canongate Books
- Pubblicato
- 2004
- Formato
- In brossura
- Pagine
- 296
- ISBN10
- 1841954802
- ISBN13
- 9781841954806
- Serie
- Tag
- Narrativa, Gialli & Thriller, Fantasy, Fantascienza, Thriller, Horror, Vita, Thriller psicologici, Letteratura inglese, Adattato in un film, Scozia, Romanzi psicologici, Utopie
- Prima pubblicazione
- 2000
- Titolo originale
- Under the Skin
- Valutazione
- 3,75 su 5
- Descrizione
- Isserley picks up hitchhikers with big muscles. She, herself, is tiny—like a kid peering up over the steering wheel. She has a remarkable face and wears the thickest corrective lenses anyone has ever seen. Her posture is suggestive of some spinal problem. Her breasts are perfect; perhaps implants. She is strangely erotic yet somehow grotesque, vulnerable yet threatening. Her hitchhikers are a mixed bunch of men—trailer trash and travelling postgrads, thugs and philosophers. But Isserley is only interested in whether they have families and whether they have muscles. Then, it's only a question of how long she can endure her pain—physical and spiritual—and their conversation. Michel Faber's work has been described as a combination of Roald Dahl and Franz Kafka, as Somerset Maugham shacking up with Ian McEwan. At once humane and horrifying, Under the Skin takes us on a heart-thumping ride through dangerous territory—our own moral instincts and the boundaries of compassion.