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Embodied performance in South Africa has particular potency because apartheid was so centrally focused on the body. The majority of artists analysed here are people of colour. As the artists imagine new forms, they are helping audiences see the contemporary moment as it is: an important intervention in a country long predicated on denial.
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Performance and the Afterlives of Injustice, Charissa Bremer-David, Anthony Wells-Cole, Catherine Hess
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- Pubblicato
- 2020
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