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Focusing on the interplay between composition and perception, this study emphasizes the observer's role in understanding music. It explores how individual relationships with musical works shape their reception and analysis, considering the contemporary composer's multifaceted role as a teacher and philosopher. By adopting an interdisciplinary approach, it highlights the influence of various analytical perspectives on conclusions drawn about music. The aim is to illuminate significant aspects of music analysis without attempting to cover every related issue comprehensively.
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Composition, Perception, Analysis, Michael Barkl
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- 2010
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