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The neo-baroque Sarabande and Gavotte, early works by Johannes Brahms, reveal a unique aspect of his musical evolution. Although previously overlooked, manuscript evidence and performance history suggest that Brahms considered these dances significant in the mid-1850s. Ultimately, he chose to suppress them, incorporating elements of these pieces into his later compositions. This exploration sheds light on Brahms' creative process and the development of his distinctive style.
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Brahms Beyond Mastery, Robert Pascall
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- 2024
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