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Steven Heller

    7 luglio 1950

    Steven Heller è un autore e critico di spicco il cui lavoro si addentra nel ricco panorama della grafica, dell'illustrazione e dell'arte politica. Esamina rigorosamente le correnti storiche, le basi teoriche e le applicazioni pratiche che plasmano la comunicazione visiva. La scrittura di Heller si distingue per la sua acuta analisi di come il design influenzi la società e la cultura, collegando i movimenti artistici ai loro contesti più ampi. La sua prolifica produzione offre ai lettori una profonda comprensione delle complessità e del potere del mondo visivo.

    Born modern : the life and work of Alvin Lustig
    The Art of New York
    The Art of Beatrix Potter
    Scripts
    100 illustrators. Volume 1 + 2
    Graphic. Gli sketchbook dei più grandi graphic designer del mondo
    • 100 illustrators. Volume 1 + 2

      • 640pagine
      • 23 ore di lettura

      Anglický, souběžně český a polský text 2 svazky ve společném kartonovém pouzdru Obsahuje bibliografické odkazy V knize jsou soustředěny nejpozoruhodnější práce z oblasti současné ilustrace. Editor shromáždil fascinující směsici dlouho zavedených jmen a nováčků, používajících širokou škálu technik. Informace o stovce ilustrátorů ze 30 zemí světa obsahují jejich životopisné medailony, soupisy výstav a publikací. Jako úvod do oboru ilustrace slouží editorova stať o nejnovějším rozvoji tohoto umění. Kniha poslouží výtvarným umělcům i profesionálním grafikům a zaujme každého, kdo se zajímá o vizuální stránku nejrůznějších médií. Obsahuje text v češtině, polštině a angličtině. První vydání.

      100 illustrators. Volume 1 + 2
      5,0
    • Scripts

      Elegant Lettering from Design's Golden Age

      • 352pagine
      • 13 ore di lettura

      Seen in everything from wedding invitations and birth announcements to IOUs, menus, and diplomas, script typefaces impart elegance and sophistication to a broad variety of texts. Scripts never go out of style, and the hundreds of inventive examples here are sure to inspire today's designers.Derived from handwriting, these are typefaces that are stylized tosuggest, imply, or symbolize certain traits linked to writing. Their fundamental characteristic is that all the letters, more or less, touch those before and after. Drawn from the Golden Age of scripts, from the nineteenth to the mid-twentieth century, this is the first compilation of popular, rare, and forgotten scripts from the United States, Germany, France, England, and Italy. Featuring examples from a vast spectrum of sources—advertisements, street signs, type-specimen books, and personal letters—this book is a delightful and invaluable trove of long overlooked material.

      Scripts
      4,4
    • The Art of Beatrix Potter

      • 256pagine
      • 9 ore di lettura

      Published to coincide with the 150th anniversary of Beatrix Potter's birth, this magnificent collection celebrates the artist behind The Tale of Peter Rabbit and numerous other beloved children's books. Brimming with famous images and rarely seen gems—ranging from character sketches and notebook pages to watercolor landscapes and natural history illustrations—this monograph explores Potter's artistic process and reveals the places that inspired her timeless work. Organized geographically and featuring more than 200 images from the artist's oeuvre, The Art of Beatrix Potter includes illuminating essays by Potter scholar Linda Lear, illustration historian Steven Heller, and children's book illustrator Eleanor Taylor. It is the definitive volume on one of the world's most influential authors, a woman whose artistry, until now, has not been fully celebrated.

      The Art of Beatrix Potter
      4,4
    • Alvin Lustig was modern before it was cool. But there has never been a monograph devoted to his work—until now. A genius best known for his book covers and interior design, his theories on design education were precursors to the curricula of some of the most renowned design schools today. Lustig lent his imaginative vision and talent to a wide range of legendary projects, from the groundbreaking architecture of 1940s Los Angeles to magazine covers that have become collector's items. Spanning the breadth of Lustig's tragically brief but prolific career, Born Modern is a must-have for any student or practitioner of design, as well as anyone interested in the history of American visual culture.

      Born modern : the life and work of Alvin Lustig
      4,4
    • 60s All-American Ads

      • 960pagine
      • 34 ore di lettura

      This text offers a colourful plethora of American advertisements and newspaper articles from the swinging 60's for just about anything the dollar could buy.

      60s All-American Ads
      4,4
    • Iron Fists

      • 224pagine
      • 8 ore di lettura

      An illustrated history of propaganda art and design from Nazi Germany, Fascist Italy, the USSR, and Communist China.

      Iron Fists
      4,5
    • Milton Glaser, POP

      • 288pagine
      • 11 ore di lettura

      An overview of the work of illustrator and designer Milton Glaser during the 1960s and 70s From 1954, when he co-founded the legendary Push Pin Studios, to the late '70s, Milton Glaser was one of the most celebrated graphic designers of his day, whose work graced countless book and album covers, posters, magazine covers, and advertisements, both famous and little-known. Glaser largely defined the international visual style for illustration, advertising, and typeface design and interest in his legacy continues unabated, with modern creatives acknowledging his influence; for example, in 2014 Mad Men creator Matthew Weiner enlisted Glaser to design the ad campaign and branding for the show's final season. His renowned work garnered solo exhibitions at the Centre Georges Pompidou in Paris and the Museum of Modern Art in New York. Creator of the iconic 'I love NY' logo (featuring a heart symbol in place of the word 'love') and cofounder of New York magazine, Glaser received numerous accolades and lifetime achievement awards. Across thousands of works across all print media, he invented a graphic language of bright, flat color, drawing and collage, imbued with wit. This collection of work from Glaser's Pop period features hundreds of examples of his design that have not been seen since their original publication, demonstrating the graphic revolution that transformed design and popular culture.

      Milton Glaser, POP
      4,5