Amos Elon Ordine dei libri

Otto Adolf Eichmann, figlio di Karl Adolf e di Maria Schefferling, catturato in un sobborgo di Buenos Aires la sera dell'11 maggio 1960, trasportato in Israele nove giorni dopo, in aereo e tradotto dinanzi al Tribunale distrettuale di Gerusalemme l'11 aprile 1961, doveva rispondere di quindici imputazioni, avendo commesso, 'in concorso con altri', crimini contro il popolo ebraico, crimini contro l'umanità e crimini di guerra sotto il regime nazista, in particolare durante la seconda guerra mondiale." Hannah Arendt va a Gerusalemme come inviata del New Yorker. Assiste al dibattimento in aula e negli articoli scritti per il giornale sviscera i problemi morali, politici e giuridici che stanno dietro al caso Eichmann. Ne nasce un libro scomodo: pone le domande che non avremmo mai voluto porci, dà risposte che non hanno la rassicurante certezza di un facile manicheismo. Il Male che Eichmann incarna appare alla Arendt "banale", e perci" tanto più terribile, perché i suoi servitori più o meno consapevoli non sono che piccoli, grigi burocrati. I macellai di questo secolo non hanno la "grandezza" dei demoni: sono dei tecnici, si somigliano e ci somigliano.

The Pity of It All is the compelling, moving story of the German-Jewish people from the eighteenth century until the eve of Third Reich, tracing their journey from a persecuted clan of outcasts and peddlers into a dazzling community of writers, philosophers and scientists. From Moses Mendelssohn, who entered Berlin through the gate reserved for Jews and cattle and went on to become one of Europe's greatest men of letters, to Rachel Levin, the famed hostess of glittering salons; from the decadent Weimar and the genius of Einstein to philosopher Hannah Arendt's terrified flight from the Gestap in 1933, this is the untold story of nearly 200 years of astonishing creativity and fragile integration. Evoking a tragically lost work, The Pity of It All is the unique collective biography of a people.

Twice in this century, Germany sparked wars of unprecedented terror and destruction, with the defense of the “Prussian” realm perceived as the villain. Today, few grasp the precise meaning of “Prussia,” either geographically or nationally, yet its connotation evokes images of aggression and militarism. The territory once known as Prussia now constitutes a significant part of Eastern Europe, a region first claimed by the Teutonic Order's Christian knights. For centuries, its landscape has been marred by conflict and division. In the aftermath of World War II, nearly two million German refugees fled as Russian forces advanced, marking one of the largest civilian displacements of the war. With the Berlin Wall a relic and the Soviet Union disintegrating, this region remains in disarray. Modern travelers can finally explore and reflect on what Prussia was and has become. Writers James Charles Roy and Amos Elon, known for their curiosity, delve into this landscape, blending contemporary observations with poignant stories from the German and Prussian past. Their narrative is enriched by interviews and memories, evoking a profound sense of loss and nostalgia for lives filled with both turmoil and joy. The result is a deeper understanding of the fractured lands of today’s Eastern Europe.

Auf kenntnisreiche und fesselnde Weise beschreibt Amos Elon den Aufstieg des Frankfurter Juden und Gründers des einflußreichen Rothschild-Clans Meyer Amschel Rothschild. Im 18. Jahrhundert brachte es Rothschild, der als Altwaren- und Münzhändler begann, zu Macht und ungeheurem Reichtum, bestimmte über Krieg und Frieden, blieb aber sein Leben lang der Enge des Frankfurter Ghettos verhaftet.

Amos Elon ist einer der ganz großen Israelischen Journalisten -und seine Reportagen in israelischen und US-amerikanischen Zeitungen leuchten den Nahost-Konflikt seit nunmehr 30 Jahren mit Genauigkeit und unerbittlicher Gerechtigkeit aus. Seine Stationen heißen Krieg und Intifada, Terror und Siedlerfanatismus - und Amos Elons Anliegen heißt Verständigung.

A portrait of Jerusalem which gives an insight into the kaleidoscopic culture of this magical city. Battle-scarred from 4000 years of violent conflict, the holy city is a sacred symbol of Judaism, Islam and Christianity and its religious wars of today reflect those of the past.