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This historic book may contain numerous typos and missing text. Purchasers can typically download a free scanned copy of the original version from the publisher. The 1921 edition is not indexed or illustrated. The text emphasizes the importance of sound quality in singing, encapsulated in the Italian maxim, "Cerca la qualita, e la quantita verra" (Strive for quality, and quantity will follow). By focusing on notes produced with controlled breath, singers can naturally adjust their voices to their breath force. This breath force, while influenced by an individual's physical build, is primarily shaped by study and practice. Beginners may struggle with breath force, but it remains essential for artists. It allows them to regulate their voice's strength within natural limits and to enhance note quality. Lamperti often advised, "never sing with more voice than that which you can produce when you rightly control the breath," and stressed that the voice should be dominated by breath, not the other way around. Intensity is crucial for expression in singing, and without it, artistic effects are unattainable. A common mistake is confusing voice force with breath force. Properly produced voices can have intense breath without compromising quality, while poor singers often resort to loud, incorrectly produced sounds. Good singing, characterized by varied voice gradations, exudes grace and ease.
Acquisto del libro
The Art Of Singing: Based On The Principles Of The Old Italian Singing-masters, And Dealing With Breath-control, Production Of The Voice A, William Shakespeare
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- Pubblicato
- 2022
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