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In this collection of short stories, Bernhard Schlink explores various facets of love through seven distinct narratives. The opening story, "Girl with Lizard," centers on a solitary male character who becomes obsessed with a painting by his father, uncovering its troubling history that he feels compelled to confront. In "Sugar Peas," architect Thomas, now wheelchair-bound after an accident, faces retribution from his three lovers for his past indiscretions. "The Other Man" features a widower who finds solace in corresponding with his deceased wife's unwitting lover. Conversely, "The Circumcision" struggles with heavy themes of reconciling the past, ultimately leading to an improbable conclusion. Schlink often prioritizes scenarios over immersive scenes, focusing more on dilemmas than on the richness of language. His legal background influences a narrative style that leans toward drama, reminiscent of courtroom dynamics rather than traditional fiction. While Schlink demonstrates strong storytelling skills and addresses the complex identity of modern Germany, the mechanisms he employs sometimes reinforce rather than challenge readers' assumptions, veering into didactic territory.
Acquisto del libro
Liebesfluchten, Bernhard Schlink
- Lingua
- Pubblicato
- 2012
Metodi di pagamento
Qui potrebbe esserci la tua recensione.
- Titolo
- Liebesfluchten
- Sottotitolo
- .
- Lingua
- Tedesco
- Autori
- Bernhard Schlink
- Editore
- Diogenes
- Pubblicato
- 2012
- ISBN10
- 325780332X
- ISBN13
- 9783257803327
- Serie
- Tag
- Narrativa, Letteratura romantica, Amore, Donne, Letteratura tedesca, Narrativa contemporanea, Racconti, Germania, Romance contemporaneo, Relazioni, Erotica, Storie, Vita, Passato, Fuga, Desiderio, Contemporaneo, Scandali e Affari, Uomini
- Prima pubblicazione
- 2000
- Titolo originale
- Liebesfluchten
- Valutazione
- 3,75 su 5
- Descrizione
- In this collection of short stories, Bernhard Schlink explores various facets of love through seven distinct narratives. The opening story, "Girl with Lizard," centers on a solitary male character who becomes obsessed with a painting by his father, uncovering its troubling history that he feels compelled to confront. In "Sugar Peas," architect Thomas, now wheelchair-bound after an accident, faces retribution from his three lovers for his past indiscretions. "The Other Man" features a widower who finds solace in corresponding with his deceased wife's unwitting lover. Conversely, "The Circumcision" struggles with heavy themes of reconciling the past, ultimately leading to an improbable conclusion. Schlink often prioritizes scenarios over immersive scenes, focusing more on dilemmas than on the richness of language. His legal background influences a narrative style that leans toward drama, reminiscent of courtroom dynamics rather than traditional fiction. While Schlink demonstrates strong storytelling skills and addresses the complex identity of modern Germany, the mechanisms he employs sometimes reinforce rather than challenge readers' assumptions, veering into didactic territory.