Maggiori informazioni sul libro
Every "diary" serves as a portrait, chronicle, or history, capturing moments that reflect a broader narrative. Unlike random notes, a true diary tells the story of a life, marked by beginnings, middles, and ends. Life itself unfolds like a tale, with a structured progression rather than mere chance. The subject of this diary revolves around my return to Paris after fourteen years, exploring a transformed France and its people. It captures a specific moment in the history of the French nation that aligns with a pivotal time in my own life. I do not claim to innovate within the diary genre; rather, I propose that a diary functions as a narrative, akin to a play. It embodies the essence of storytelling, where every element leads toward a conclusion, adhering to classical unity, while focusing on the character of "I." This diary represents a theatrical work brought to the page, echoing Kafka's concept of the "present moment" as it unfolds. Ultimately, my diary seeks to bridge the gap between narrative and theater, presenting a unique perspective on personal and national stories.
Acquisto del libro
Diary of a Foreigner in Paris, Curzio Malaparte
- Lingua
- Pubblicato
- 2020
- Rilegatura
- (In brossura)
Metodi di pagamento
Qui potrebbe esserci la tua recensione.
- Titolo
- Diary of a Foreigner in Paris
- Lingua
- Inglese
- Autori
- Curzio Malaparte
- Pubblicato
- 2020
- Formato
- In brossura
- Pagine
- 360
- ISBN10
- 1681374161
- ISBN13
- 9781681374161
- Serie
- Tag
- Saggistica, Tema stórico, Storia, Storie vere, Biografie, Autobiografie e memorie, Storia Militare, Francia, Seconda guerra mondiale, Italia, Europa Meridionale, Letteratura Italiana
- Valutazione
- 3,6 su 5
- Descrizione
- Every "diary" serves as a portrait, chronicle, or history, capturing moments that reflect a broader narrative. Unlike random notes, a true diary tells the story of a life, marked by beginnings, middles, and ends. Life itself unfolds like a tale, with a structured progression rather than mere chance. The subject of this diary revolves around my return to Paris after fourteen years, exploring a transformed France and its people. It captures a specific moment in the history of the French nation that aligns with a pivotal time in my own life. I do not claim to innovate within the diary genre; rather, I propose that a diary functions as a narrative, akin to a play. It embodies the essence of storytelling, where every element leads toward a conclusion, adhering to classical unity, while focusing on the character of "I." This diary represents a theatrical work brought to the page, echoing Kafka's concept of the "present moment" as it unfolds. Ultimately, my diary seeks to bridge the gap between narrative and theater, presenting a unique perspective on personal and national stories.